By Amy Elizabeth Smith
"An illuminating insight...fascinating."—Amanda Grange, bestselling writer of Mr. Darcy's Diary
"A trip via either a actual panorama and the geography of the human center and mind...delightfully enjoyable and infrequently deeply relocating, this publication reminds us that Austen's world—and her characters—are greatly alive."—Michael Thomas Ford, writer of Jane Bites Back
WHERE DO BOOKS TAKE YOU?
With a suitcase packed with Jane Austen novels en español, Amy Elizabeth Smith trigger on a yearlong Latin American event: a touring booklet membership with Jane. In six distinct, unforgettable international locations, she accumulated book-loving new friends— taxi drivers and academics, poets and politicians— to learn Emma, experience and Sensibility, and Pride and Prejudice.
Whether sharing hen beer with Guatemalans, becoming a member of the group at a Mexican boxing fit, feeding a horde of tame iguanas with Ecuadorean teenagers, or tangling with argumentative booksellers in Argentina, Amy got here to benefit what Austen knew all alongside: that we're now not continuously conversing an identical language— even if we're conversing a similar language.
But with actual Austen intuition, she may possibly realize while, all at once, she'd stumbled on her personal Señor Darcy.
All Roads result in Austen celebrates the simplest of what we adore approximately books and revels within the excitement of sharing a very good book— with reliable buddies.
Read Online or Download All Roads Lead to Austen: A Year-long Journey with Jane PDF
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Additional info for All Roads Lead to Austen: A Year-long Journey with Jane
In her opening essay, “The Absence of Writing or How I Almost Became a Spy”, as in many of the narratives that follow, NourbeSe Philip challenges her reading audience to confront the historical and cultural interconnectedness between the body and the word – more specifically, the female subject’s body and the (W)ord. This relationship is one that is repeated throughout the entire body of NourbeSe Philip’s writing, as it represents an effort to re-historicize and de-legitimize discourses that have subsumed and, indeed, disrupted the processes of be(com)ing for Africans in the New World.
As though their intention is for trouble. 13 If there is something blasphemous or heretical in this kind of representation, it becomes less so when this drama is seen from a different perspective. The significance of Indians making a home may now be weighed against the African’s rebellious feeling that a home has been stolen. In his very remarkable novel Salt (1996), Lovelace traces through four or five generations the history of this feeling, which the character Jojo records. He has been a rebel and a runaway who has lost an ear as punishment.
Other than “threat” and “fear”? What is the language of the inner space? To read the text that lies “missing” in the silence of the inner space, we needing a new language – the language of jamettes, possessing their inner and outer space. 2 Trapped in a discourse that simultaneously denied their humanity while emphasizing their presence as a form of alterity, colonial subjects could only imagine and represent their selves in a language of contradiction which made them what they in fact were not.
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